Do some research on spacing techniques before you start. You'd have to manually arrange them? It would be very difficult. There's no harmony.no direction. If you were to design in non font application, it would be very difficult to be able to preview how your font looks in words as you're going. Sometimes I see beginner fonts posted here that are basically unfixable. Which letters are right and which are wrong? You see it all the time when students post their fonts here for critiques. If you rush ahead and draw the whole alphabet it's very hard to make adjustments. Eventually you'll be testing sentences and paragraphs. Type words with those 3 letters and make adjustments until it looks good. When you get to the 3rd letter, make sure it looks like it belongs with the first 2. Maybe you need to go back to first letter and make compromises. You might want to go lowercase 's up to you. At this point treat it almost like a logo design. Type OOROORROOR (etc.) There's no rule for which letters you start with. Preview the text RRRRRRR (or whatever letter you want to start with) and figure out the spacing. I recommend going into your font application and drawing one letter. But some people prefer sketching it beforehand. I think it's more useful to have ideas and characteristics planned out than to sketch the entire alphabet beforehand. Who needs it? What characteristics should it have? What size will it usually be seen? Develop a plan, even if just in your mind. This approach might work for certain types of fonts like graffiti, messy handwriting, comic, horror etc.įigure out what you want this typeface to be. What most beginners try to do is draw an alphabet and make a font out of it. It's possible.some professionals do it but I don't recommend it. Drawing in other applications is a hard habit to break. If you want to jump right in and make fonts, choose a font creation application and work inside it. A lot will depend on your level of skills and interest. There are tons of other more specialized tools for making fonts and some other less well known font editors. Test things continually and critically as you progress.Įventually you may have a font you're happy with.Īs for software, I use Glyphs (Mac) as my font editor mostly these days, but FontLab Studio (Windows/Mac), RoboFont (Mac), and FontCreator (Windows) are also popular. Once basic spacing is good as you can get it, do kerning for problem pairs that can't be address through normal spacing. Spacing (adjusting sidebearings of glyphs) is usually worked out as you're constructing the glyphs (the two go hand in hand). It can depend on the design or your preferences. Lowercase letters are usually first, followed by uppercase, punctuation, numbers, etc., but there is no "best" order to work. Most font editors have a tool to allow you to "write" glyph shapes as if with a pen or brush, although I've never made fonts that way. Many glyphs can be made from parts of others, depending on the design. Some people start directly in the computer with minimal sketches. There are probably as many ways as there are type designers, but a common general method is to sketch and plan out ideas on paper (loose or tight as you require) and then construct glyphs in a font editor (possibly tracing over scans of the sketches).
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